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September 12, 2025 • BY Rachael Tancock

The Ocean Debris Dress

The Ocean Debris Dress

Rachael in the ocean debris dress, on the shoreline of Vancouver Island. Photo by Tyler Cave Productions.

As a naturalist and online science communicator, I walk the beach almost every day.

It was on one of these walks with my friend Stephanie Fell (who also happens to be a clothing designer) that we decided to channel our global marine debris frustration into wearable art—a dress—and slowly, our inner artists took over.

Each beach cleanup is a treasure hunt filled with all possible colours, textures, shapes, and sizes of debris, from vibrant ropes and large tarps to translucent water bottles and abandoned beach toys.

We cleaned, dried, and sorted by colour. We built a base with an abandoned heavy-duty contractor’s trash bag to give the dress structure and coverage. We implemented rope, tarp, and caution tape to provide further functional support, and we created embellishments out of debris fragments.

Close up of some of the hundreds of small details that went in to the ocean debris dress. Photo by Tyler Cave Productions.

A close up on the purse and dress detail. Photo by Tyler Cave Productions.

We decided to channel our global marine debris frustration into wearable art.

The top section resembles the photic zone—the top 80-metre layer of the ocean where sunlight penetrates, allowing photosynthetic life to grow. For this part of the dress, we used green and red debris to represent seaweeds, kelp, and coral. We overlayed these with transparent plastic and tarp fibres, which portray ocean waves at the surface. We crafted a fish from an aluminum food wrapper with a pink nurdle (plastic pellet) for an eye, sea stars by cutting off the bottoms of plastic water bottles, and a fully functional purse from caution tape, with rope for a strap and a cork toggle to keep it closed.

The dress we eventually created is a visual representation of the ocean it came from.

The bottom of the dress represents the increasing darkness of the ocean depths, fading from white to dark blues and greens. This section highlights the diversity of marine debris. Up close, the intricate complexity becomes clear, much like the marine pollution problem, which can seem invisible and straightforward but is made up of many complex issues. To finish up, we created matching earrings out of the remains of the water bottles we’d used for the starfish.

When the dress was finally complete, we shared the story and final product online where it quickly became a conversation starter about global marine pollution and how people can become a part of the solution.

My experience making and sharing the dress leaves me cautiously hopeful—even inspired.

📖 This article first appeared in The Waste Volume of FOLKLIFE Magazine

Stephanie Fell makes final adjustments to the ocean debris dress worn by Rachael Tancock. Photo by Tyler Cave Productions.

The Ocean Debris Dress

1 comment

Diana Gritten

Dear Folklife,
I’ve been a longtime, very happy supporter of Folklife’s beautiful volumes. Holding each one once it arrives in the mail gives me goosebumps and my heart beats faster.The paper covers front and back are magnificent to touch, as well as all the inside pages full of photographs and stories about the people, the land, sea, and sky. We must continue to look after dear Mother Nature and ourselves “Slowing the Folk down” Much love and Peace,
Diana

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The Ocean Debris Dress

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